Journal

I've learned to make. Now I need to learn to release.

Why this site exists, and what it is deliberately not.

I’ve spent a long time getting good at one half of this.

Making is the part I understand. Sit down, work on the thing, keep going until it’s right. I can do that for months. There are six projects listed on this site and every one of them got made without anybody asking for it or waiting on it.

The other half I’ve been bad at, and I’ve been bad at it in a specific and repeatable way. Make something privately. Finish it. Get nervous. Promote it two or three times, badly. Watch not much happen. Quietly decide that not much happening was a verdict on the work. Retreat, and start making something else.

The flaw in that loop is the fourth step. Not much happens when you don’t tell anyone. That isn’t the market speaking. That’s arithmetic.

What this site is for

It’s infrastructure, not a personal brand.

I don’t want an audience for me. I want an audience for the work — which is a different thing, and a much smaller ask. Somewhere that lists what I’ve made, so that a person who finds one project can find the others, and a person who wants to know when something is finished has a way to be told.

That’s the whole design brief. The list at the bottom of every page isn’t a newsletter. There’s no schedule and no content calendar. It exists so that when a song is out, or the book is ready to order, or the Disney planner needs twenty-five families to test it, I can say so once to the people who asked to hear it.

What it’s deliberately not

It isn’t a place where I look impressive.

There’s a real risk in overcorrecting here — being so worried about seeming arrogant that you hide work you’re actually proud of. I’d rather land on something plainer than either:

I made this. Here’s where you can find it.

You’ll notice every project on this site says what state it’s genuinely in. Some of it you can use today. Some of it is in private beta. One of them isn’t finished and says so. That’s on purpose. Six identical “explore” buttons would imply six finished products, and I’d rather be accurate than impressive.

The work should be able to speak without me standing in front of it.

Want to know when
I make something new?

I don’t post much. But when something is actually finished, or out, or needs people to try it, I’ll send one email about it. That’s the whole thing — no newsletter, no schedule.

A Florida spring, cypress standing in clear water